A clown adopts a talking stray cat who is also a shapeshifter. The cat assists the clown on stage, where he loves the public's ovations.

The story of how a clown was chased by an angry Kroops beast.

The clown and his automobile enters with great puffs of smoke

A fluffy white cat wants nothing more than to find the most comfortable spot in the universe, but little does she know someone else has their eye on it too.

A dog wants to buy a new hat from his local tailor (who is a cat). A story about why cats and dogs dosen't like each other.

Man lives with his best friend, Cat, to defend others from big bad.

In 1966, a former gymnast returns to his hometown Danzig, which is now a part of Poland. He begins to reflect on one of his classmates, Joachim Mahlke, who disappeared during World War II. Mahlke was initially marked as an outsider due to his oversized Adam’s apple, but when he turned out to be a great diver, the in-crowd embraced him. Then he steals a Knight’s Cross from a soldier and is expelled from school. Volunteering for war service, he earns a medal himself and hopes his reputation will be rehabilitated. But the school principal refuses and Mahlke deserts from the army…

Dog and Cat is an American television series that aired on ABC on Saturday night at 10:00 p.m Eastern time in 1977.Lou Antonio played Sgt. Jack Ramsey, an undercover detective with the Los Angeles Police Department, who found himself teamed with a very green partner named J.Z. Kane. Together they formed a relationship based on friendship and trust that led to them capturing many of L.A.'s criminals. Lieutenant Arthur Kipling was their boss."Dog and Cat" is a slang term used by police officers to denote a male-female partnership. The show is especially remembered for the car that Kim Basinger used in the series: a souped-up Volkswagen Beetle with a Porsche engine.

A thirsty cat tries to steal milk from a milkman, who won't let the cat interrupt his deliveries.

CAT AND MOUSE is Jim Henson’s second and more ambitious interpretation of a composition from jazz drummer Chico Hamilton whom Jim met and collaborated with in 1961. This short, imbued with sly humor, portrays a brief narrative of the dance performed when predator meets prey. Working in his home studio in Maryland, Jim used collage and drawings to animate a story, displaying his unique visual shorthand used to create distinctive characters.